Justin

The ancient Ramayana story is attempted to be brought to life on screen in the movie Adipurush, but it is utterly mishandled and fails terribly. The movie's star-studded cast couldn't save it from its poor VFX, storyline, and dialogue. The movie lacks coherence, depth, and emotion, and it makes frequent use of cliches and stereotypes. The movie meanders on for almost three hours, which puts spectators' patience to the strain. Ajay-Atul's music is similarly passable but unmemorable. Overall, Adipurush is a monumental letdown that fails to live up to either the expectations or the original material.

Por Thozhil is a brilliant investigative thriller that showcases the acting prowess of Sarath Kumar and Ashok Selvan, who play two contrasting cops on the trail of a serial killer. The film, keeps the audience hooked with its clever plot, crisp editing and riveting background score. The film also delves into the psyche of the killer and his motives, adding layers to the story. Por Thozhil is a refreshing and engaging film that does not take the audience for granted and offers a satisfying climax. A must-watch for thriller lovers.

Shahid Kapoor attempts to bring action-packed energy to the screen, but the film falls short of expectations. Despite Kapoor's efforts, the overall execution lacks the necessary force to make it a compelling watch. The narrative struggles to maintain a coherent flow, and the direction fails to deliver the intensity one would hope for in an action film. The supporting cast, including also fails to make a significant impact. While the cinematography is decent, it doesn't salvage the film's shortcomings. "Bloody Daddy" ultimately disappoints, lacking the power and finesse needed to leave a lasting impression

John Wick: Chapter 4 represents the pinnacle of the electrifying franchise, showcasing Keanu Reeves' remarkable skills and undeniable charisma. With awe-inspiring cinematography, masterful editing, and impeccable sound design, the film immerses viewers in a thrilling world of violence and chaos. The use of practical effects, meticulously crafted stunts, and precise choreography, combined with subtle CGI enhancements, results in breathtaking and authentic action sequences. Furthermore, the meticulous attention to detail in production design, costume design, and makeup brings to life the diverse locations and cultures within the realm of assassins. Accompanied by a powerful musical score and a perfectly curated soundtrack, the film harmoniously complements its mood and tone. John Wick: Chapter 4 is an extraordinary achievement that pushes the boundaries of the action genre, offering a mesmerizing feast for the eyes and ears.

**Kathal: A Jackfruit Mystery** is a clever and captivating social satire. The film uses a seemingly trivial case of two missing jackfruits to expose the deeper issues of caste oppression and gender bias in the society. The film blends comedy and drama with a sharp critique of the political interference and corruption in the police system. Kathal is a delightful and thought-provoking film that will keep you entertained and enlightened throughout.

Fast X delivers what fans expect from the franchise: over-the-top action, exotic locations, and a lot of family drama.The movie is a fun ride, but it also suffers from some clichés, weak dialogue, and unrealistic stunts. Fast X is not a masterpiece, but it is a satisfying popcorn flick for those who love fast cars and furious action.

Kadina Kadoramee Andakadaham is a heartwarming film that depicts the struggles and joys of a family living in a coastal village during the Covid-19 pandemic. The film is a realistic portrayal of how the virus affected the lives and livelihoods of ordinary people, as well as their hopes and dreams. The film also boasts of a melodious soundtrack and a well-written script. Muhashin's direction is commendable, as he balances the humor and emotion in the film. It is a must-watch for those who love family dramas with a social message.

Sisu is a historical action film that features impressive cinematography and sound design. The film is set in Lapland during World War II, and captures the harsh and beautiful landscape of the region. The film creates a tense and immersive atmosphere with realistic and bloody action scenes with convincing and powerful performances. Sisu is a well-crafted and engaging film that showcases Helander's skill and vision.

The movie Custody makes an effort to be a suspenseful thriller but falls short. The movie has some terrific drama and suspenseful moments, but it also has a bad storyline and bad editing. A gloomy and anxious mood is produced by the cinematography, which is especially remarkable. But because there isn't a satisfactory climax or conclusion, the spectator is left with more questions than answers. The movie, which had the potential to be much better, is at most mediocre.

Particularly from Matt Damon and Chris Tucker, the acting is superb. The directing is deft and fashionable. The writing is entertaining and funny. Despite the audience knowing how the plot ends, the movie is thrilling. ⭐⭐The movie is well-made, enjoyable, and it offers a compelling tale.

The heartwarming tale of survival in Guardians of the Galaxy Vol. 3 explores Rocket's sad origins. The Guardians trilogy's concluding installment focuses more on how we each define perfection differently. Some people focus on hiding your defects, but for the majority, love makes everything seem wonderful. You come to love individuals in spite of their shortcomings. You feel moved and moved to tears by the message. In an era of multiverse crazy, Gunn maintains the good old charm of a straightforward plot, and that is extremely enjoyable. Even though there is a lot of laughter, the seriousness of the matter is not lessened. The action scenes are breathtaking, and the music enhances the mood and works in unison with the tale.

With its distinctive animation style, daring perspectives, and arresting lighting, The Prince of Egypt breaks free from the limitations of live-action and offers a visually spectacular and spellbinding experience. It distinguishes out among modern animated films, breaking expectations and providing a novel approach to storytelling. It has interesting backgrounds and human designs. It delivers a fascinating cinematic achievement that goes above the standard fairy tale template with its purposeful use of music and use of a biblical story.

Banaras is an aesthetically-made commercial film that appeals to audiences of all ages, offering a refreshing and engaging cinematic experience.The mesmerizing visuals capture the essence of Banaras, turning it into a character of its own. The film delves into the depths of the city's spirituality, showcasing various locations and cultural aspects that add depth to the narrative. The cinematography and the background score further enhance the film's emotional impact.

"Kannai Nambathey" is a good thriller that held my attention the entire time. The movie kept up a respectable pace that had me interested the entire time. The story's carefully planned turns and turns, which frequently caught me off guard, are what make it so brilliant. Several logical flaws existed, but they were minor and had little impact on the overall experience. Even though it was occasionally loud, the music heightened the drama in some situations. The film's aesthetic appeal was enhanced by the superb cinematography and editing. Excellent staging and script execution helped to establish tension and suspense throughout the movie.

Burqa, a fascinating dialogue-driven drama on oppression and religion. In the narrative, an atheist man named Surya and a Muslim woman named Najma find themselves living together because of uncontrollable circumstances. The film's technical elements, such as the photography and soundtrack, aid in preventing claustrophobia, while the two leads' understated yet powerful performances create a complex and genuine portrayal of their characters. 'Burqa' is an overall thought-provoking movie that examines the complexity of religion and how it affects people.

The spy thriller Agent falls short of its potential. Although the film's action-packed trailers initially excite viewers, it falls short of providing a compelling story. In a role that differs from his previous characters, Akhil Akkineni excels, showcasing his adaptability and dynamic action scenes. The character of Mammootty adds a dimension of intrigue by leaving the audience in the dark about his genuine motivations. However, the story loses interest and becomes predictable, especially in the second half, which makes it boring. The emotional passages fall flat, and the climax feels stupid. A few of the characters seem superfluous, and the VFX are mediocre. Despite these flaws, action movie fans should still watch Agent because of Akhil's performance and a few well-executed action scenes.

A remarkably personal epic, Ponniyin Selvan 2 shines when it concentrates on its characters rather than on its grandeur. The movie explores the protagonists' private lives, putting more emphasis on their humanity than their positions of authority. This strategy fosters a sense of familiarity and fondness by enabling the audience to relate to the characters on a deeper level. The movie succeeds in its character analysis, exposing vulnerabilities and failures with larger-than-life moments, despite some flaws in pacing and action sequences. Mani Ratnam, the director, creates a genuinely epic experience that reverberates long after the conflicts are over by deftly balancing spectacle and sensitivity. The film redefines what it means to be "epic" by prioritising emotional depth above an extravagant budget.

In her part as a businesswoman, Anne Hathaway excels, giving her character depth and sincerity. Without making Anne's character out to be weak or incompetent, the film deftly illustrates the difficulties and biases faced by female entrepreneurs and CEOs. Without using cliches, it illuminates the difficulties experienced by women in positions of power. The movie's strong message, "You're never wrong for doing the right thing," reverberates long after the last credits have rolled. Overall, this is a must-watch because of the gripping narrative and excellent acting.

As a mediocre thriller, "Ravanasura," starring Ravi Teja, falls short. The movie makes use of well-known allusions like the Joker and Breaking Bad to explore the idea of good vs evil. Although there is promise for a suspenseful thriller with grey areas, the execution is poor. Despite some interesting turns and moments, the suspense quickly wears off, and the characters' backstories seem forced. The lack of dread or empathy elicited by the movie makes for a dissatisfying viewing experience.

Dasara, directed and written by Srikanth Odela, features a blazing performance by Nani, but the story fails to ignite the same fire. While the film creates a scorching ambience with its visuals, it struggles to find emotional depth. Nani's portrayal of Dharani, an alcoholic torn between love and friendship, is captivating, but the larger themes of power, caste, and politics lack substance. The narrative feels disjointed, with politics and elections serving as mere plot devices. Dasara also mishandles its portrayal of women, reducing them to casualties without proper development. The film's world seems detached from reality, lacking a coherent societal framework. Despite some intriguing elements, Dasara falls short due to its unsteady handling of themes and lack of conviction.

The 1992 book "Damage" by Josephine Hart served as the inspiration for the drama/mystery/romance "Obsession". The protagonist of the narrative is a smart surgeon who suffers terrible consequences as a result of his erotically intense relationship with his son's girlfriend. The sex scenes are tedious and embarrassing, and the ensemble gives mediocre performances. It is a waste of time because the plot is impossible to believe and has no suspense or thrill. The tale is terrible and poorly written, but the musical soundtrack and cinematography are superb. Avoid the series at all costs.

In a coming-of-age road trip experience, "Suzume" tackles themes of love and grief. Suzume, a 17-year-old girl, opens a portal to an alternate world, which sets off a series of events including a talking cat named Daijin and a large worm that poses a threat to trigger catastrophic earthquakes. Suzume is the main character of the story. "Suzume" is a worthy successor with brilliant animation and a focus on the beauty of everyday life, even though it is not as graphically gorgeous as some of Shinkai's earlier works. The movie also pays homage to Studio Ghibli's past and makes subtle parallels to science fiction dramas like "Stranger Things."

Although the film's premise is compelling, the way stereotypes are introduced and dealt with lacks nuance, which lessens the impact of the film. The movie attempts to address problems like the caste system and the exploitation of migrant workers during the epidemic, but the execution occasionally seems more theatrical than cinematic. Overall, Bheed provides a novel viewpoint on how the epidemic affects the underprivileged, but the criticism lacks complexity.

A monotonous and predictable action film with showy production values, "Ghosted" smothers any sense of freshness. The two protagonists don't have any chemistry, and the dialogue sounds forced and forceful. The film has the sense of a horrible fever dream because the plot follows a normie lead who is given a significant plot armour. Despite its attempts at humour, the movie takes itself way too seriously, and even its spoof attempts are ineffective. Unless you've never been ghosted and want to know how it feels, "Ghosted" is a movie that should be avoided.

With a screenplay by Sukumar and a direction by Karthik Varma Dandu, "Virupaksha" masterfully creates a universe of unsettling and frightening events in the village of Rudravanam. Samyuktha Menon and Sai Dharam Tej both give great performances in the movie. The film's technical elements, including the production design, cinematography, background score, editing, and sound design, support the audience's persistent interest and terror. The plot is obvious in some ways, but clever twists and avoiding tired clichés make it interesting. The beginning's poor romantic subplot might have been strengthened, but the supporting cast helps the movie as a whole. One of the better supernatural thrillers in contemporary Telugu cinema, "Virupaksha" is well-made.

Evil Dead Rise, the fifth installment of the Evil Dead series, is a thrilling and gruesome new addition to the horror classic created by Sam Raimi. The film retains its signature blood, gore, and guts. The movie features disturbing scenes such as eye injuries, chainsaws, and dismemberment by wood chipper. Despite having a familiar premise, the film is a twisted and enjoyable addition to the horror franchise.

The movie "Kisi Ka Bhai Kisi Ki Jaan" featuring Salman Khan is an unbearable and tasteless viewing experience. The movie lacks coherence and rationale and is only watchable for those who are die-hard Salman Khan fans. Farhad Samji directs the movie, which suffers from poor writing, dreadful dialogues, and an unimpressive plot. Nonetheless, V. Manikandan's cinematography is praiseworthy, and the well-executed action scenes are genuinely impressive. Salman Khan puts forth his best effort in intense action and drama, and his bond with his on-screen siblings is touching. However, his wig, which he wears throughout the first half, is irritating. The film is tediously lengthy, and the songs are sudden and noisy. Overall, the movie is a cringe-inducing experience that compels you to say, "Bhaijaan, please stop."

Vellaripattanam falls short of expectations. Despite having talented actors like Manju Warrier and Soubin Shahir, the movie fails to impress with its outdated and ultra-generic storyline, lazy script, and skit-like comedies that hardly evoke laughter. The direction by Mahesh Vettiyar is quite mediocre, leaving much to be desired. While the cakewalk roles of the lead actors do offer some respite, it is not enough to save the movie from being a disappointment

Raghava Lawrence attempts to emulate Rajinikanth's aesthetic in Rudhran, but the tale falls flat and doesn't provide anything fresh or genuinely enjoyable. The film employs a well-worn screenplay and stereotypical characters, such as a millionaire mobster who became rich by murdering the parents of people who moved abroad. Even the last fight scene is a dancing performance. The tunes just randomly appear. The green screen London scenes show the paucity of funding, and the background score is obnoxious and unoriginal. In summary, the movie is a shambles, and none of the excellent cast or staff can save the awful writing.

Selfiee is a scene-by-scene recreation of the first film Driving Licence, which is a subpar film despite having a larger budget. Through loud humour and tacky speech, the film attempts to overdo everything. Selfiee leans further towards being a story about a rivalry fueled by widespread euphoria due to its tone. The tale loses life as a result of the constant search for grandeur in each picture. Since Akshay Kumar is portraying a movie star who is receiving criticism from the public, his performance seems realistic. Emraan Hashmi's complex persona wasn't always that grounded fanboy, as evidenced by his inconsistent performance. Although the story is superior to many contemporary Akshay Kumar comedies, the emotional heart of the film is still having trouble holding together when compared to the original.

Oh My Darling is a mediocre teen drama film that tries to do too many things with its youthful sensibility and comes off as an uninspired, disjointed effort. To cover up the fact that it can't provide anything new, the film uses overused emotional moments. The characters are amateurish, and the narrative lacks logic, making the movie boring to watch. The music and cinematography are mediocre, and the conclusion and the scenes building up to it are too much for the characters to handle. Overall, the film falls flat, with the exception of a few humorous dialogue scenes starring Johny Antony.

I highly recommend watching Asur because of its novelty factor. The show's ability to merge two opposite worlds is fascinating, as is the opportunity to gain insight into the mind of a psychopath. Additionally, the show consists of seven episodes, each approximately 40 minutes long, making it perfect for binge-watching.

"Pathu Thala," has Silambarasan TR playing the role of a crime lord named AGR, with Gautham Karthik as the undercover cop. The story revolves around the kidnapping of the Chief Minister and Sakthivel's mission to find out the truth. The film's screenplay is tight but poorly paced, and the characters do not make a significant impact, even though the film is designed to give them importance. The romance between Gautham Karthik and Leela Thompson also lacks depth. The movie's emotional sequences have startling tonal differences, and it is high time Tamil directors stopped overplaying the Robinhood-figure trope. Silambarasan TR's performance is commendable, and his energy on-screen is explosive, but the movie lacks real punch

The Indian web series "Candy" is a layered suspense thriller set in the fictional town of Rudrakhand, where an elite school has dark secrets hidden beneath its disciplined exterior. The series deals with themes of bullying, drug peddling, and past crimes. While some of the twists in the plot are predictable, the climax is executed well and keeps the suspense intact. The performances by the cast, especially Richa Chadha and Ronit Roy, are noteworthy. Overall, "Candy" is an enjoyable watch that deserves attention.

Ghosty, fails to engage the audience with ineffective one-liners and absurd situations. The poorly written plot lacks genuine scares and the situational comedies lack realism. The performances of the actors appear forced, making it challenging to connect with the movie's world. The background score uplifts certain sequences, but the staging is amateurish. Ghosty falls short of being a horror thriller or a comedy and proves that the Tamil film industry needs fresh talent to revive the genre.

The Hindi heist movie "Chor Nikal Ke Bhaga" on Netflix tells the story of a couple, Neha and Ankit, whose relationship is put to the test when they agree to steal diamonds worth millions of dollars in a midair heist. However, the heist plan goes awry when a hijacking breaks out on board, resulting in multiple cons and double-crosses. The movie features strong performances by Yami Gautam Dhar and Sunny Kaushal, and Krunal Pandit brings some comedic flair to his role. While the film's initial storytelling approach may feel cluttered, it ultimately delivers a thrilling heist story that keeps viewers on their toes.

Shehzada on Netflix, directed by Rohit Dhawan, is a disappointing adaptation of the Telugu film Ala Vaikunthapurramuloo (2020). The film, starring Kartik Aaryan, Paresh Rawal, Kriti Sanon, Manisha Koirala, Ronit Roy, Sachin Khedekar, Sunny Hinduja, and Ankur Rathee, is mostly fan service for Aaryan's fans and offers little to those who aren't. While Aaryan looks good in slow-mo, the film lacks narrative muscle, and when scenes are at regular speed, it is as entertaining as hitting one's head repeatedly with a cushion. The characters are one-dimensional, and the changes made to the story only dilute the central plot's characterisation, relationships, and conflicts. Shehzada glorifies the rich and victimises the middle-class everyman, embodied by Valmiki, and offers no social critique like its source material. Overall, it's a boring and pointless film.

The ZEE5 film "Mrs. Undercover" follows Radhika Apte's character, Durga, as she is called back to her secret agency after being undercover for ten years to help catch a serial killer on the loose. The film's uneven execution and loosely written script disappoint, but Apte and Rajesh Sharma's performances make the film bearable to watch. Sumeet Vyas' performance as the villain is also appealing, but it feels like a rehash of his previous work. The film tries to address multiple social issues, including misogyny and equal respect for housewives, but it doesn't fully succeed

The movie Pranaya Vilasam is a refreshing take on romance that explores different perspectives on love, loss, and acceptance. It tells the story of Suraj, a romantic graduate student, and his father, Rajeevan, who both realize the importance of the woman in their lives. The film looks deep into each character and makes everyone significant, with good performances from the cast. The subtle treatment of the thought on how someone would react when they get to know that their partner had an evergreen love that she or he holds close to their heart is also interestingly portrayed. Pranaya Vilasam is a slice-of-life cinema with multiple layers that could be enjoyed by people of all ages.

The movie Dear Vaappi features Lal playing a character whose dream is to become a fashion designer, and the film works to the extent that it does because of Lal's performance. The first half of the film works well in a low-key mode, with the story revolving around entrepreneurial dreams. However, the gauzy, feel-good nature of the film becomes a major problem in the second half, as it becomes overly simplistic and lacks depth. The film could have been elevated with more conflict and emotion. Overall, the audience may enjoy the sweet, simple, feel-good vibe of the movie, but it may not be satisfying as a complete film.

Viduthalai Part-1 is a crime drama with a focus on police brutality, separatist movements, and politics. The movie features impressive cinematography and background scores by Ilaiyaraaja. While the dubbing and lip syncing could have been better, and the editing is a bit uneven in some places, the film is a filmmaking masterpiece. The movie is engaging and leaves a strong message for society, with a great screenplay and powerful performances by actors such as Soori, Chetan, VJS, and Bhavani Sre. The film is 2h 36m long, but it is well worth the time spent watching it. Vetrimaaran's direction, combined with the story by Jeyamohan, and the technical aspects of the movie, make it a must-watch for fans of hard-hitting cinema.

Recently watched the TV show "Beef," and it was a gripping drama about two people living parallel lives in different circumstances. Steven Yeun and Ali Wong both gave outstanding performances, and the writing was effective and well paced. Both characters had been miserable for a long time, but their collision served as a catalyst for change. This series had it all, from romance to horror, comedy, and criminal aspects. The Asian American cast was excellent, and the writing, acting, cinematography, and staging were impressive. It explored the pressures of life, including the pressure from Asian culture to succeed and provide for parents, and as a one-time small business owner. The tempo was beautiful, and the characters and story were well structured. Although it was not a comedy, it had great messages, and the theme of the stresses of life in all forms is universal, especially in the US. There was some blood and brief nudity, but it was worth it for the intense emotional roller coaster. Overall, it's a great watch for any average adult looking for weird, insane, mind bending, and heart punching entertainment.

Ant-Man and the Wasp: Quantumania, the latest installment in the Marvel Cinematic Universe, follows the Ant-Man family's adventure as they get trapped in the Quantum Realm and encounter a powerful tyrant named Kang, who seeks to conquer different dimensions. The film balances self-contained family themes with the larger MCU narrative but struggles to build a solid foundation for the complex plot's time-bending, multiversal elements. Despite the film's shortcomings, the performances of Michelle Pfieffer and Jonathan Majors stand out, particularly the latter's portrayal of the all-powerful and menacing Kang, who will likely pose a significant threat to the Avengers in the upcoming MCU films. Overall, the film is enjoyable, and Marvel fans will likely appreciate the continuation of the Ant-Man story and the introduction of Kang but may find it lacking in comparison to other MCU films.

Pookkaalam, a Malayalam movie directed by Ganesh Raj. The film is a feel-good family entertainer with a novel theme that revolves around an older couple who have been married for 80 years. On the day of their granddaughter's betrothal, a letter written fifty years ago threatens to cast a cloud on the happy occasion, bringing up the family's buried secrets. The movie focuses on the warm relationship between the couple and their large extended family while also taking periodic shifts to their past struggles and personal losses. Despite some forced moments, the performances by Vijayaraghavan and KPAC Leela as the couple facing a crisis late in their lives are moving. Overall, the movie is a heartwarming watch that ends rather predictably.

The Shazam! sequel, Fury of the Gods, directed by David F. Sandberg, offers low stakes, self-contained storytelling, and juvenile humor that its predecessor had. The movie follows teenager Billy Batson, who must save the world when three goddesses are released from their prison and seek to use a broken staff to either restore their mythical realm or send the human world into chaos. The film is a blend of every teen-friendly ’80s adventure, including a mix of understated sweetness, humor, and egotism, and Levi's performance helps ground Billy’s decisions. Despite the hints and allusions that the Shazam! series may continue, if Fury of the Gods is the final installment, it’s still an electrifying and pleasant adventure.

The movie Kabzaa brings together three superstars, Upendra, Kichcha Sudeep, and Shiva Rajkumar, in an ambitious action drama directed by R. Chandru. However, the movie falls short and is a total waste of time, money, and talent. The screenplay is outdated, and the conflicts lack logic, making it difficult to connect with the movie. The performances are not noteworthy, with the actors mostly delivering cheesy dialogues and trying to showcase machoism. The loud background music and overdramatic pauses are a test of patience, and the direction is only focused on larger-than-life commercial filmmaking. Overall, Kabzaa is far from being a logical and intelligent cinema and is not worth watching unless you enjoy mindless masala flicks.

Ayodhi is a must-watch masterpiece that will disturb you for at least 2-3 days, with a much-needed script and heartwarming story. The movie has sensational acting by everyone, and in some of the scenes, many people were left in tears. The movie makes you realize what humanity is and the importance of being a human being. It portrays typical North Indian routines that can be irritating when they are in Tamil Nadu, and it's a perfect portrayal of the characters. It's a touching story with a realistic screenplay that beats all so-called extravagant celebrity movies in terms of touching your soul and mind. The film is a genuine emotional feel-good drama with an interesting procedural drama story well-driven by emotions. The main positive of the movie was the emotional sequences, and most of them worked well. It is a great message to humanity, soul, and kindness, and a must-watch magical movie that connects with many of us

In Purusha Pretham, the director Krishand has created a genre-defying film that defies easy classification. I was a big fan of his previous work, and this latest effort did not disappoint. The film follows Super cop Sebastian (played by Prasanth Alexander) as he investigates an unidentified corpse that leads to a series of trouble for him and the other characters. The plot is engaging, and the director touches upon themes of casteism and social commentary without being too heavy-handed. The film also has a fantastic score, unique shots and camera angles, and organic humour that arises naturally in the screenplay. Overall, I would highly recommend this film to anyone looking for something different and entertaining.

'VAALVI' is a dark comedy film that balances humor and thrill while delivering a thought-provoking and morally ambiguous story. The cast delivers top-notch performances that capture the nuances of the complex characters, and the script is razor-sharp. The film is a unique and unforgettable viewing experience that keeps the audience on the edge of their seat throughout. While not for the faint of heart, 'VAALVI' is a must-see film that will leave viewers questioning their own morality long after the credits roll.